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Monday, April 26, 2021

In the Footsteps of Elizabeth and Darcy at Stunning Stourhead

In my family we are active members of the National Trust and spend many a weekend exploring the various estates around us. This weekend we visited Stourhead in Wiltshire, which may be familiar to many Jane Austen fans from Pride and Prejudice (2005) and particularly the rain scene where Mr Darcy first proposes to Elizabeth. 


Stourhead House was built in the 18th Century in the Palladian style for the Hoare family. Whilst we didn't get to visit the house due to Covid regulations, we enjoyed our walk around the stunning world-famous landscaped gardens. 


                                                                                         Stourhead House 

The gardens were designed by Henry Hoare II in the style of landscape paintings, and there are bridges, grottoes and classical temples to explore along the beautiful walks. 


View across the lake to the Pantheon

                                                                                         Inside the grotto 

                                                                                             The Pantheon 

                                                                      The Temple of Apollo at the top 

At this time of year, the bright green lawns are adorned with the spring blossom of daffodils and bluebells, and magnolia and rhododendron trees shine bright in various shades of magenta, baby pink and white. Swans, ducks and geese float in the glittering water, and there is something interesting to see at every turn. 



The highlight of the walk for me were the classical temples and the Palladian bridge, as seen in Pride and Prejudice. While this version of the film is by no means my favourite (I am partial to the 1995 BBC miniseries), I thought the proposal scene at the Temple of Apollo was beautiful, if not quite faithful to the book. 


In the scene, we see Elizabeth running in pouring rain across the Palladian bridge and going up to the Temple of Apollo, where Mr Darcy (coincidentally) finds her. 


The Palladian Bridge 


                                                                                 The Temple of Apollo

At the temple, he proposes to her "against his better judgment", while the rain gushes down, adding to the drama, and the distraught Elizabeth's hem is several inches deep in mud. In the backdrop, we see the gorgeous lake and rolling landscape of Stourhead (portrayed as Rosings).




                                                                     The view from the Temple of Apollo


The view from the Temple of Apollo


To end this post, I'm adding this video from the Temple of Apollo - quite a different feel on a sunny day! 



Thursday, October 29, 2020

A Review of "Unmarriageable" by Soniah Kamal


While I don't usually read much fan fiction or spin-offs, I just had to get hold of Soniah Kamal's Unmarriageable, which is a South Asian take on Pride and Prejudice. Having lived in South Asia for 12 years and having got married there, I was sure that this rewrite would resonate with me, as I could relate to the characterisations and contexts - which I absolutely did. 

I feel that any of the Jane Austen novels would adapt well to South Asian literature and cinema, a topic which I will explore further in another post. There are so many similarities between Regency society and the social norms of contemporary South Asian culture. The marriage market, the stereotypical over-zealous, matchmaking mothers and aunties, the limited freedom of young women, marital gold diggers, societal taboos surrounding marriage and sex... it's all there in Pride and Prejudice - and in modern-day Pakistan (and elsewhere in South Asia). 

Many modern day South Asian girls battle with similar moral dilemmas to girls of Jane Austen's era, with pressure to marry a man of their parents' choice and to give up their careers after marriage. Premarital relationships would be unheard of and illegitimate children a definite no-no - which is why Mr Wickaam turns out to be a villain just like in the original story. 

This novel shows a modern, independent, free-thinking Elizabeth - young teacher, Alys Binat - who, like Elizabeth Bennet, isn't afraid to voice her opinions.  Alys, like her sisters, is under tremendous pressure from her mother, Mrs Binat, to marry and marry well. Soniah Kamal's Mrs Binat is very much like Mrs Bennet in P and P, hysterical, ridiculous, and in need of tranquillisers. Alys won't marry the rude, proud, snobbish Valentine Darcee - whose proposal she declines, as he is "unmarriageable". Neither will she marry the riciculous but wealthy, "suitable boy", Farhat Kaleen (Mr Collins). One of my favourite scenes in the novel is Mr Kaleen's proposal to Alys - very much like Mr Collins's - with his premeditated flowery phrases full of praise and pomp.

In Unmarriageable, Kamal really brings Jane Austen's spirit to life. The plot mirrors that of Pride and Prejudice and there are so many parallels between Alys' story and that of the original; the characters and their idiosyncrasies, the humour and wit, but there are also many South Asian references, which are very well explained to someone less familiar with the culture. In the first chapter, in her role as a teacher at an all-girls school, Alys discusses the role of women in Pakistani society -  a wonderful introduction to their world and the issues that girls and women deal with. After that, the story slows down a little and it did take me a while to get into the story, but it got much more interesting towards the end. 

There are several references to Pride and Prejudice in the book and, as Alys says (p.227), "we are... a society teeming with Austen's cruel Mrs Norrises, snobby looks-obsessed Sir Walters, and conniving John Thorpes and Lady Susans." I'm pretty sure you could find many a Mrs Bennet, a Lydia and a Mary Bennet in Pakistan as well! 

Saturday, September 19, 2020

Following Colin Firth's footsteps at Lacock Abbey!

I absolutely love Lacock, as visiting the village feels like visiting a film set and it really takes you back to Pride and Prejudice (1995). On our last visit, the Lacock Abbey cloisters were closed for filming a Netflix series, so we missed seeing those, and this time we were lucky enough to have a peek. 


Lacock Abbey (now a National Trust property) was founded in 1229, and its vaulted rooms were used as a nunnery of the Augustinian order.

The gardens are lovely to walk around and picnic in. 


We have previously visited the manor house, which was built over the old cloisters in the 16th century. The house later became the home of William Henry Fox Talbot, who created the earliest camera negative. 


The house is currently closed, but the gardens and cloister are really worth a visit... and I shall tell you why!


Of course, the medieval cloister (above) downstairs is more famously known as Hogwarts school in Harry Potter, but as that is not exactly my genre, the cloister is far more familiar to me from Pride and Prejudice. This is where the flashback scene of Mr Darcy at Cambridge University was filmed and where we learn more about Mr Wickham's character and Mr Darcy's relationship with Mr Wickham. 

Colin Firth is filmed walking down the corridor, until he enters a room where he finds Mr Wickham "misbehaving" with a girl!



Also, the Lacock Abbey stables (below) were used as the exterior of the coaching inn where Lydia and Kitty meet their sisters when they return from London. Lydia throws open a window and waves at her sisters, and later inside the inn (shot elsewhere) they gossip about men and hats. 

As always, I thoroughly enjoyed visiting another Jane Austen film location - do have a look at my previous blog from Lacock for a tour around Lacock village. 

Sunday, September 6, 2020

The Practicality of Pattens

Have you ever wondered how ladies of Jane Austen's time used to manage to keep the hems of their gowns clean? At a time, when country roads were mostly dirt lanes, likely to get muddy throughout winter, and city roads were covered in rubbish and dirt, one would think that their hems would always be "six inches deep in mud" like Elizabeth Bennet's in Pride and Prejudice. And how on earth did ladies protect those delicate shoes? 

The answer to Regency shoe issues lies in pattens. These were a type of overshoe, often consisting of a wooden sole raised on an iron ring, lifting the wearer several centimetres above the ground, which would have protected their shoes and hems. Pattens were like an early version of galoshes, a type of overshoe. My grandad, ever the gentleman, always used to wear galoshes to protect his finer polished shoes. 


I was excited to come across a pair of pattens on holiday at Chippenham Museum (near Bath) in their local history section. In this picture from the museum, you can see a child's pair on the left and an adult pair on the right. 

In Persuasion, Jane Austen writes about "the dash of other carriages, the heavy rumble of carts and drays, the bawling of newspapermen, muffin-men and milkmen, and the ceaseless clink of pattens...these were noises which belonged to the winter pleasures" (Chapter 14). Anne feels alien in Bath with all the noises surrounding her after years of quiet country life (perhaps like Jane Austen?). 

It was very common for ladies to wear these when out and about - more so amongst the working ladies. One could easily imagine Jane wearing pattens, as she comes across quite a practical person. Jane's niece, Anna Austen, wrote, "I recollect the frequent visits of my two Aunts, & how they walked in wintry weather through the sloppy lane between Steventon & Dean in pattens, usually worn at that time even by gentlewomen.”

I can't imagine pattens being comfortable to wear over long distances - what do you think? Would they be difficult to balance on? On the other hand, I couldn't imagine living without a pair either, what with all those white gowns, and no modern detergents! 


References and further reading: 

Tomalin, C. (1997) Jane Austen: A Life. Penguin Books.

https://janeaustensworld.wordpress.com/2014/04/12/regency-fashion-keeping-hems-clean/


Sunday, August 16, 2020

Picnicking with Emma on Leith Hill

If you've seen the new Emma film, you might remember the Box Hill scene, where the dull picnic ends in a fiasco with Emma insulting Miss Bates? Well, it turns out that the scene wasn't filmed on the actual Box Hill but rather on Leith Hill. The same scene in the 2009 Emma (with Romola Garai) was also filmed there. 

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Leith Hill is a hill situated not far from Box Hill, in the Surrey Hills, also known as an Area of Outstanding Natural Beauty. In fact, at 294 meters above sea level, Leith Hill is the highest point in Surrey, and the views from its summit are no less spectacular than those from Box Hill. I enjoyed a picnic there with my family several weeks ago, and we enjoyed the sweat-inducing hike up the hill - the view from the top was definitely worth the hike. 

Like Box Hill, Leith Hill is maintained by the National Trust. At the summit, there is also Leith Hill Tower, an 18th Century tower built in the Gothic style. 

Under normal circumstances, you could climb up the tower and admire the views with a telescope, but the tower isn't open to visitors during Covid. 

Interestingly, Leith Hill was also the second home of composer Vaughan Williams, whose grandparents lived in Leith Hill Place, now a National Trust property. Some fascinating connections there, and I made it a point to visit the house when it reopens. 

Further reading: 

-For more about Leith Hill, you could read Tony Grant's detailed and informative blog on Leith Hill, the surrounding area and its literary connections. 

-Leith Hill is also mentioned in Quint, K. (2019) Jane Austen's England - A Travel Guide. ACC Art Books. (p. 165)



Friday, July 31, 2020

A Walk Around Chawton House Garden "was a sweet view — sweet to the eye and the mind. English verdure, English culture, English comfort, seen under a sun bright, without being oppressive."

I was delighted to find that the Chawton House Gardens had opened again after a long period of lockdown. It's so lovely to walk around the gardens in the footsteps of Jane Austen, as she must have spent many a happy summer's day strolling around her brother's garden, and there are so many mentions to gardens in her novels. In Edward Austen's estate, Jane found plenty of comfort, and she must have enjoyed the serenity and beauty of this landscape. 



I started my walk from the South Lawn, where I sat down to have my picnic, admiring the green, lush views towards Chawton House. In the early Georgian times, there were formal gardens here, but during the period 1763-1780, these were replaced by parkland in the style of Capability Brown, whose landscaping has become a trademark of 18th century gardens. His style, although carefully designed and executed, leaned towards a more natural style that looked almost untouched. 




From the South Lawn I walked through to the Upper Terrace, which wasn't there during Jane Austen's times. This terrace was built in ca 1901 by Edward Austen Knight's grandson, Montagu, who revolutionised much of the estate and took excellent care of it, and also built a 'Library Terrace' near the house. 




I walked down the path to Edward Austen Knight's walled garden. I love a walled garden, as it reminds me of Frances Hodgson Burnett's "Secret Garden", a story which I loved as a child. 



At the end of the 19th century, Montagu Knight divided this garden into two, and created a rose garden in the first half of the garden. 

The second half of the garden is a wonderful mismatch of colourful flowers, vegetables and herbs - just like Jane Austen would have known it. 







There is a lovely trail around the gardens, with quotes from Jane Austen's books, which reminded me of her wit and cheeky personality. In one of her letters from 1816, Jane Austen mentions that it was difficult for her to write, as she had her "head full of joints of mutton and doses of rhubarb". Obviously she needed to be free of mundane things, such as housework, to be able to concentrate on her work. 


Herb gardens were used extensively to treat various kinds of ailments and to create natural beauty products. This herb garden is inspired by Elizabeth Blackwell's book, "A Curious Herbal", from the Chawton House early women's literature collection. 


Each quadrant contains ten plants that are curative for a particular body part: head beds, chest beds, digestion beds and skin beds. Seems logical to me - if you had a complaint, you could just head over to that particular part of your garden and get a treatment.  

Apple orchards are always such a treat, and I'm pleased to know that Jane Austen was fond of the fruit. 



The Austen ladies had apple trees in their own garden, as well as berries. 


Jane was no stranger to strawberries either. In 1816, she wrote to Cassandra, "Yesterday I had the agreeable surprise of finding several scarlet strawberries quite ripe; had you been at home, this would have been a pleasure lost. There are more gooseberries and fewer currants than I thought at first." I am assuming that these berries grew in their own kitchen garden at Chawton Cottage. 


I also enjoyed the rose walk at the end of the walled garden. 



I then walked out of the walled garden towards the shrubbery. 



A shrubbery was a route where the ladies of the house could take their exercise, when the weather permitted. 




Shrubberies seem to occur often in Jane Austen's writings, as Kim Wilson discussed in her talk "Love in the Shrubbery" as part of the Chawton House Virtual Garden Festival. In fact, a shrubbery is mentioned in each of her novels. Jane Austen's characters often meet up in a shrubbery to get away from others, or to reflect in a safe space. 







Admiring the serene fields, I then walked towards what was known as a "wilderness". 




A common feature in an English Landscape garden in the 18th century, a wilderness was a wooded area that would appear natural but was actually carefully and deliberately designed. It was fashionable to have a wilderness in one's garden and there is a reference to a wilderness in Pride and Prejudice. Lady Catherine wants to find out if Elizabeth and Mr Darcy are engaged, and asks  Elizabeth, "Miss Bennet, there seemed to be a prettyish kind of a little wilderness at the side of your lawn. I should be glad to take a turn in it". 





An avenue of lime trees lead me back towards Chawton House. This didn't exist at the time of Jane Austen, as it was planted by Montagu Knight. Lime trees were common, though, and in Emma, Jane describes the Donwell Abbey grounds as follows: 
"It was hot; and after walking some time over the gardens in a scattered, dispersed way, scarcely any three together, they insensibly followed one another to the delicious shade of a broad short avenue of limes, which stretching beyond the garden at an equal distance from the river, seemed the finish of the pleasure grounds."


The last, but not the least important feature of the garden, was the Ha-Ha. A sunken fence, these were a typical feature of an 18th century garden, preventing the sheep or other livestock from entering the gardens and coming too close to the house. They also had some symbolic significance in Jane Austen's novels, symbolising hidden authority or the entrance into vice. In Mansfield Park, Fanny Price decides to stay back, while she watches Maria Bertram cross the ha-ha with Henry Crawford, leaving her behind. In the scene, Austen discusses the moral dilemma in a symbolic way, contrasting virtue and vice, stability and risk. 


Back to the South Lawn, I thought, as Emma did as she enjoyed the beautiful grounds of Donwell Abbey, "It was a sweet view — sweet to the eye and the mind. English verdure, English culture, English comfort, seen under a sun bright, without being oppressive."

I thought I would finish this scribble with a quote from Jane Austen's letter to Cassandra that never fails to amuse me. 




References and further reading